WRITING

2023

Blog Post, “William Edmondson: A Monumental Vision,” Yale University Press.

Essay, “A Boxcar on East 4th Street,” Monument Lab Bulletin.

Essay, “A Stage for Aiyyana,” Monument Lab Bulletin,” Monument Lab Bulletin.

Essay, “The Curious Façade of Confederate, ‘Mother McLure’,” Monument Lab Bulletin.

2022

Interview, “Amanda Williams: The Body… in its Absence,” Public Art Dialogue.

Book Review, “Glenda Elizabeth Gilmore’s Romare Bearden in the Homeland of His Imagination,” The Brooklyn Rail.

Review, “What Cannot Be Held: Malcolm Peacock’s We Served … and they felt tiny bursts along the horizon,” ART PAPERS.

Review, Collecting Fingerprints: Baseera Khan at the Brooklyn Museum, Art in America.

Essay, “The Body Weaves Through Water,” Diedrick Brackens: heaven is a muddy riverbed exhibition catalogue, Craft Contemporary.

Review, Duane Linklater at Frye Art Museum, ART PAPERS 45 no. 2.

2021

Review, “A Cosmos of Southern Black Expression…” Art in America.

Essay, “No Solid Ground: The Art of Roland Ayers,” Roland Ayers: Calligraphy of Dreams exhibition catalogue, Woodmere Art Museum.

Open Letter, “Letter to My Peers,” Monument Lab Bulletin.

Article, “Meditations on Curatorial Labor,” Studio Museum in Harlem.

Review, “Cauleen Smith, Mutalities,” Quimbandas Journal no1, vol. 1.

2020

Dossier, “Monumental Interventions,” ART PAPERS 44 no. 2.

Article. “Monumental Futures.” ART PAPERS 44 no. 2.

Co-Editor, ART PAPERS 44:02, Monumental Interventions 44, no. 2

Case Study, “On and Under Campus: A Call for Commemoration to Combat the Erasure that Results from Displacement in St. Louis,” National Trust for Historic Preservation.

Review, “Derek Fordjour: Shelter,” ART PAPERS.

Essay, “Embracing the Infinite Mother,” We No Longer Consider Them Damaged exhibition essay, Flaten Art Museum.

Review, “High Museum’s Out-of-Context, “Paa Joe” Coffin Show,” ARTS ATL.

Interview, “Derrick Adams: Beyond Spectacle,” ART PAPERS.

Article, “Toward a Monumental Black Body,” ART PAPERS.

Interview, “Cosmo Whyte: Mining the Body for Gold,” ART PAPERS.

2019

Editor, Zipporah Camille Thompson: Looming Chaos, exhibition catalog, Bernard A. Zuckerman Museum of Art.

Review, “Frederick Douglass: Embers of Freedom,” ART PAPERS.

Review, “Spelman Recalls Abstract Artist Mildred Thompson as Citizen of Atlanta,” ARTS ATL.

Review, “Chris Verene’s Home Movies…” ARTS ATL.

Review, “Myra Greene’s INTERVAL,” ARTS ATL.

Review, “Social Movement: glo at the High Museum of Art, Atlanta,” Burnaway.

Interview, “Queer Intimacy: A Conversation with Diedrick Brackens,” ART PAPERS.

Review, “Krista Clark Base Line of Appraisal, ART PAPERS.

Review, “Striking Power: Iconoclasm in Ancient Egypt, ART PAPERS.

Review, “Black, Like Paul: Alex Christopher Williams in Atlanta,” Burnaway.

Essay, “Alfred Conteh, the Colossus Maker,” The Sweet Spot, exhibition catalog, Clark Atlanta University Art Museum.

Interview, “Q&A: Jericho Brown Talks About his Pulitzer Prize and the Power of Poetry,” ARTS ATL.

Interview, “Notes Towards Becoming A Spill: Shikeith at Atlanta Contemporary,” Burnaway.

Review, “La Creación de Significado: Rocío Rodríguez en el MOCA GA,” Burnaway.

2018

Essay, “St. Louis: Navigating the Brick City,” ART PAPERS.

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